![]() He is perversely intent on pursuing his criminal life, which can only end in one way. Michel falls into league with two accomplices led by a particularly talented pickpocket (Kassagi). His friend Jacques (Pierre Leymarie) tries to understand Michel's odd behavior, as does Jeanne (Marika Green), a neighbor of his mother. He cultivates an interest in public sneak-thievery. Vaguely referencing a philosophy about privileged 'supermen', Michel considers himself too special to work like others. Pickpocket's melancholy loner Michel (Martin LaSalle) is a close cousin to the director's soulful, suffering Diary of a Country Priest. Many critics consider Bresson's 1959 film Pickpocket to be his best. Schrader says that Pickpocket instead recedes from the viewer into its own mystery. Most films accost us, asking for our involvement. Critic Paul Schrader asserts that for him this transcendent emotional rush was a consciousness-raising, inspirational event. ![]() His most frequent theme investigates the notion of spiritual transformation, and his most successful films generate a sense of spiritual mystery. His ideas about cinema go directly against established narrative conventions. Starring Martin LaSalle, Marika Green, Jean Pélégri, Dolly Scal, Pierre Leymarie, Henri Kassagi.įrench filmmaker Robert Bresson was a bona fide artistic iconoclast.
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